Heath, Isobel Atterbury

(1908 – 1989)

A Royal Navy Mine Sweeper in Dry Dock, circa 1940

£5,000.00

Signed and titled to reverse

Oil on canvas

1 in stock

DESCRIPTION

Provenance:
Private Collection

Britain in the Second World War was a country that can never be

reclaimed. Even in what turned out to be the last years of its empire,

the nation could still harness formidable resources of skilled labour and

technology. Minesweepers, for instance: in the five years between the

war’s start and D Day, the Royal Navy increased its fleet from around

40 to 1,200, many of them (like this dry-docked example in Atterbury

Heath’s picture) made of wood to make them less vulnerable to magnetic

mines. Another kind of mine, the acoustic, explains the strange bucketlike

device on the ship’s bow. Mines that could be set off by noise were a

new development in 1940, but by 1942 British scientists had developed a

counter-measure called the acoustical hammer, which sat inside a conical

steel box and when the button was pressed or the lever pulled made a

tremendous noise – loud enough to detonate acoustic mines at a safe

distance from the ship.

Both sides laid minefields – to damage enemy ships and to protect

their own – but Britain developed a particular expertise in them. They

caused significant losses to ships, cargoes and lives. German minefields

are estimated to have sunk nearly 300 British warships and a similar

number of merchant ships. British mines sent a total of more than 1,000

Axis ships of all kinds to the bottom. The shape of the bow on Atterbury

Heath’s minesweeper suggests it belongs to the MMS type, of which

more than 400 were built. They were small ships, built quickly; their

acoustical hammers have a touch of Heath-Robinson. Sailors knew them

as the Mickey Mouse’ class. The work the Mickey Mice did was brave

and invaluable.

Commentary by Ian Jack. Jack is a writer and journalist who has edited The Independent on Sunday and the literary magazine Granta. He writes regularly for The Guardian. He learnt to tell the difference between cruisers, destroyers, minesweepers, frigates and corvettes during his childhood on the Firth of Forth.

Disclaimer:
Liss Llewellyn are continually seeking to improve the quality of the information on their website. We actively undertake to post new and more accurate information on our stable of artists. We openly acknowledge the use of information from other sites including Wikipedia, artbiogs.co.uk and Tate.org and other public domains. We are grateful for the use of this information and we openly invite any comments on how to improve the accuracy of what we have posted.

THE ARTIST

Heath, Isobel Atterbury

1908 – 1989

Isobel Atterbury Heath studied at the AcadŽ mie Colarossi in Paris
and later Leonard Fuller’s St Ives School of Painting in the 1930s. 

During WWII, she was commissioned by the Ministry of
Information to paint workers in munitions factories and at a
camouflage factory in St Ives, which gave her the opportunity to
showcase how women were employed outside the perceived female
wartime roles of nurses and care-givers. 

She broke away from the STISA to help found the Penwith
Society of Arts in 1949, but resigned in 1950 and rejoined STISA
in 1957, continuing to exhibit with them for the rest of her life.
She also showed with the ROI, the RI and the RSA, and was
included in the 1955 centenary exhibition of the SWA in London.

MORE PICTURES BY ARTIST

Isobel Atterbury Heath
A Royal Navy Mine Sweeper in Dry Dock, circa 1940
£5,000.00