Forthcoming
Muirhead Bone
(1876 - 1953)
First Worldwar soldier, full length profile
Muirhead Bone (1876 - 1953)
£19,500
Size:
Height – 127.9cm
Width – 160cm
1 in stock
Winter Mine-Laying off Iceland, 1942 (collection of the IWM 1932) 127 x 160 cms.
Muirhead Bone called at the School to ask Albert [Rutherston, Ruskin Master of Drawing] & me to come to tea in Gavin’s rooms in St. John’s, to look at the progress of his picture of the mine -layer [Winter Mine-laying off Iceland, completed c.1942]…Saw the big drawings of the men laying the mines from the stern of the special ship which does this work, also other drawings of such ships’ activities, some of them very secret and unpublishable at present, which I ought not to have seen: all done at sea, under very difficult conditions, with obstacles that only Bone could surmount
From: The Diaries of Randolph Schwabe: British Art 1930-48, edited by Gill Clarke published by Sansom & Co. (2016).
Muirhead Bone was appointed as one of Britain’s first official war artist in May 1916. His small black and white drawings were widely reproduced in war-time government-funded publications. During WW2 Muirhead Bone was one of three artists to be appointed a member of WAAC committee (along with, Percy Jewett and Walter Russell). In early 1940, at the age of 64 years, Muirhead Bone was again appointed as a war artist, commissioned as a major in the Royal Marines. His pictures of the Second World were on a much larger scale. In London he drew St Paul’s Cathedral from the ruined roof of St Bride’s Church and the destruction in the East End docks. In Scotland he drew battleships, and minesweepers at work in stormy seas. This study for Winter Mine-Laying off Iceland, 1942, (collection of the IWM (LD 1932) is almost identical to the finished version though smaller (the IWM oil measures (127 x 160 cm) and there is a slight difference in the positioning of the figure to the far right.
Sir Muirhead Bone (23 March 1876 ‘ 21 October 1953) was a Scottish etcher, drypoint and watercolour artist.
The son of a printer, Bone was born in Glasgow and trained initially as an architect, later going on to study art at Glasgow School of Art. He began printmaking in 1898, and although his first known print was a lithograph, he is better known for his etchings and drypoints. His subject matter was principally related to landscapes, architecture (which often focussed on urban construction and demolition sites) and industry.
In 1901 he moved to London, where he met William Strang, Dugald MacColl and Alphonse Legros, and later became a member of the New English Art Club.
Bone was also a member of the Glasgow Art Club with which he exhibited.
After the outbreak of the First World War, Charles Masterman, head of the British War Propaganda Bureau and acting on the advice of William Rothenstein, appointed Bone as Britain’s first official war artist in May 1916.
To many, Bone had the ideal credentials for this official appointment and, although thirty-eight years old at the outbreak of war, he was rescued from certain enlistment by the intervention of those in the art establishment who recognized what an asset his work might be as pictorial propaganda for the Allied cause. Furthermore, Bone worked almost exclusively in black and white; his drawings were invariably small and their realistic intensity reproduced well in the government-funded publications of the day. Where some artists might have demurred at the challenge of drawing ocean liners in a drydock or tens of thousands of shells in a munitions factory, Bone delighted in them; he was rarely intimidated by complex subjects and whatever the challenge those who commissioned his work could always be sure that out of superficial chaos there emerged a beautiful and ordered design.
Commissioned as an honorary Second Lieutenant, he arrived in France during the Battle of the Somme, serving with the Allied forces on the Western Front and also with the Royal Navy for a time. He produced 150 drawings of the war, returning to England in October of that year. Over the next few months Bone returned to his earlier subject matter, drawing pictures of shipyards and battleships. He visited France again in 1917 where he took particular interest in the ruined towns and villages.
After the Armistice, Bone returned to the type of works he produced before the war, and was influential in promoting fellow war artists William Orpen and Wyndham Lewis. He began to undertake extensive foreign travels which increasingly influenced his work. In 1923 he produced three portraits of the novelist Joseph Conrad during an Atlantic crossing. In the inter-war period he exhibited extensively in London and New York, building up a considerable reputation. He received a knighthood in 1937.
Bone served again as official war artist in the Second World War from 1940, being commissioned in 1940 into the Royal Marines as a Major.
Sir Muirhead Bone died in 1953 in Oxford. His final resting place is in the churchyard adjacent to the St. Mary’s Church Whitegate at Vale Royal parish in Cheshire; and he has a memorial stone in St. Paul’s Cathedral in London.
