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Belleroche, Albert de

(1864 – 1944)

Night view, woman at a window, circa 1890

Oil on canvas

Picture dimensions 318mm x 385mm (12.52″ x 15.16″)

Frame size 51cm x 58cm (20.1″ x 22.8″)

DESCRIPTION

Provenance:
The Artist’s Studio

Nocturns were a popular subject for the Impressionists, who regaled  in the challenge of painting different effects of light.

Brangwyn wrote enthusiastically of Belleroches ability to paint reflected surfaces – and claimed that Degas admired Belleroche in this capacity:

“….with the glimmer of light …., the shadows full of rich and reflected tones – Belleroche bought a new note into this kind of painting…..giving immediacy to his effects of light and colour, crystallizing the emotion of a particular moment.  In this work one feels that, with his lively and nervous handling of paint, he makes the objects before him live in the moving light that plays on them, and it is not surprising that Degas though so highly of these works.” Frank Brangwyn, Foreword to Albert de Belleroche by Julian A Millest, Apollo, 1935, XXI 124 April

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THE ARTIST

Belleroche, Albert de

1864 – 1944

Although born in Wales, he was the son of the Marquis de Belleroche, of one of the most ancient French noble families who, being Huguenots, had fled to England in 1685. In 1871, following the death of his father, he moved back to Paris with his family. After he had finished school there, he studied at the studio of Carolus Duran, and spent long hours copying at the Paris museums. He soon became familiar with the leading painters and intellectuals of the day, and became a founder member of the Salon d’Automne, exhibiting alongside the Impressionists and associating with Emile Zola, Oscar Wilde, Albert Moore, Renoir, Degas, Helleu and Toulouse-Lautrec. Toulouse-Lautrec and Belleroche were exact contemporaries, who first met at the age of eighteen. Belleroche painted Toulouse-Lautrec’s portrait and shared with him a passion for the model Lili, who epitomised the Belle Epoch aesthetic of Toulouse-Lautrec’s most celebrated posters. Lili became Belleroche’s favourite model and mistress. In 1882 Belleroche also met the already acclaimed American painter John Singer Sargent, who recognised Belleroche’s talent and empathised with his free drawing style and sensitivity to light. They became life-long friends. Sargent’s handling of pastel was a great inspiration to Belleroche, while Belleroche’s sensitivity to tone and creation of form through the modeling of light exerted a strong influence on Sargent. In 1900, Belleroche became fascinated by the medium of lithography and by 1905 he was a leading figure in the field of lithographic portraiture. A.M. Hind, a former keeper of prints at the British Museum, described his works in lithography as “amongst the greatest achievements of the craft since its discovery.”

He held commercial exhibitions at the Goupil Gallery (1903), Graves, London (1906), Colnaghi’s (1941) and Walker Gallery, London (1942). As however he had no need to live from his art, he rarely took on commissioned portraits, instead choosing models and sitters who interested him. This in part – though not entirely – explains why he is so little known. A room in the MusŽ e D’Orange is dedicated to Belleroche. He was the subject of numerous publications during his lifetime, and in 2001 the San Diego Museum of Art organised an exhibition and produced a catalogue entitled The Rival of Painting: the Lithographs of Albert Belleroche.

MORE PICTURES BY ARTIST

Albert de Belleroche
Rosa
£575.00
Albert de Belleroche
In the Garden, c. 1913
£3,750.00
Albert de Belleroche
Portrait of a lady reclining, circa 1905
£12,000.00
Albert de Belleroche
Interior
£1,300.00
Albert de Belleroche
Profile portrait, young lady, waist-up, circa 1900
£17,750.00