Brangwyn, Frank

(1867 – 1956)

Original design for the woodblock Horresco (V2125), circa 1918

£1,320.00

Black wash on paper, 

3 x 2 1/2 in. (7.5 √ó 6.4 cm)

1 in stock

DESCRIPTION

Provenance:
Ct.William de Belleroche; private collection since 1968.

Literature: Walter Shaw Sparrow, Prints and Drawings by Frank Brangwyn, John Lane, London, 1919, illus. p. 57; Dominique Marechal, Collectie Frank Brangwyn, Bruges 1987, illus. p. 266 (inv. 0.2/90(1).III).

Horresco’ is a reference to the latin phrase horresco referens: I shudder as I tell the story.

Horresco is V2125 in Libby Horner’s forthcoming catalogue raisonné.

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THE ARTIST

Brangwyn, Frank

1867 – 1956

Frank Brangwyn was born in Bruges, Belgium, the son of an English father and Welsh mother. The family returned to London in 1874, Brangwyn’s father gaining work as a designer of buildings, embroideries and furniture. Although Brangwyn appears to have had little formal education, whether academic or artistic, his earliest mentors were three of the most influential men in design at the turn of the century: Arthur Heygate Mackmurdo, William Morris and Siegfried Bing. Between 1884 and 1887 Brangwyn travelled to Kent, Cornwall and Devon, before venturing further with trips to Turkey in 1888, South Africa in 1891, Spain in 1892 and Morocco in 1893.

Brangwyn was an independent artist, an experimenter and innovator, capable of working on both large and small scale projects, ranging from murals, oil paintings, watercolours, etchings, woodcuts and lithographs to designs for architecture, interiors, stained glass, furniture, carpets, ceramics and jewellery, as well as book illustrations, bookplates and commercial posters. It is estimated that he produced over 12,000 works during his lifetime. Mural commissions included the Worshipful Company of Skinners, London (1902-09), St Aidan’s church, Leeds (1908-16), Manitoba Legislative Building, Winnipeg, Canada (1918-21), Christ’s Hospital, Horsham (1912-23), State Capitol, Jefferson City, USA (1915-25), the British Empire panels, Swansea (1925-32), and Rockefeller Center, New York (1930-34). Brangwyn married Lucy Ray in 1896 and took on the lease of Temple Lodge, Hammersmith, in 1900. In 1918 the artist purchased The Jointure, Ditchling, where he spent most of his time following his wife’s death in 1924. Elected RA in 1919, knighted in 1924, holder of countless artistic awards, Brangwyn was modest about his singular achievements, regarding art as an occupation and describing himself as a designer.

MORE PICTURES BY ARTIST

Book plate for Brangwyn’s Wife, Lucy
£975.00
Rubaiyat of Omar Khayyam, original design for T N Foulis, circa 1910
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The Last Supper, St Joseph’s, Stokesley, 1946
£2,750.00
Parrot – Original Study for the Great Empire Panels
£1,250.00
Bricklayers, a study for Rebuilding Belgium, 1915
£14,750.00
War Bonds 2 (Back Him Up, Buy War Bonds) W1930, circa 1918
£3,800.00
Study for the Empire Panels in red chalk, circa 1925
£2,750.00
Drapery Study for a Station of the Cross, circa 1933
£1,320.00
Study for central panel of Nativity window, St Mary the Virgin, Bucklebury, Berkshire, early 1920’s
£9,750.00
Study of Man Carrying Rifle, Study for Jefferson City
£1,490.00
Study of a Monk, full length three-quarter view, Study for St Aidan
£3,140.00
Man Singing, study for Christ’s Hospital, panel 7
£3,800.00
Studies for St Amand and St Eloi ‘ windows in the Abbey St Andr’, Bruges
£6,350.00
Study of Figure with Vessel, study for Venice Biennale 1905
£3,300.00
Working Men, study for Lloyds Register of Shipping
£4,400.00
Working photomontage for Man’s Ultimate Destiny, Rockefeller, 1933
£9,750.00
The 2nd Station: Jesus Carries His Cross, c.1934
£6,750.00
Design for Thurstons for a Billiard Table, circa 1902
£7,920.00