Alfred Kingsley Lawrence (1893 - 1975)

Rear view Spitfire

£3,400

SKU: 9564
Squared, inscribed with measurements
Thinned oil on squared paper
19 x 29 1/8 in. (48.3 x 74 cm)

Size:
Height – 48.3cm
Width – 74cm

1 in stock

DESCRIPTION

Provenance:
Private Collection
Presentation:
folio

Having fought with distinction during WW1 – which interrupted his studies at the Royal College of Art – at the start of WW2 Lawrence was too old to serve again but spent the war engaged instead on the home front.

The iconic fighter of the Royal Air Force in World War II, the British Supermarine Spitfire saw action in all theaters of the war. Best known for its elliptical wing design and role during the Battle of Britain, the Spitfire was beloved by its pilots and became a symbol of the RAF.

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THE ARTIST

Alfred Kingsley Lawrence
Alfred Kingsley
Lawrence
1893 - 1975

Painter of pictures and murals and draughtsman, born in Lewes, Sussex. He studied at King Edward VII School of Art in Newcastle upon Tyne under Richard Hatton, at Royal College of Art with William Rothenstein and then in Italy as a Prix de Rome winner, 1923. Elected RA in 1938. Lawrence was a fine figure painter and a RA stalwart for many years, his work having a strong underlying draughtsmanship. Also showed RP of which he was a member and widely abroad. Among Lawrence’s notable murals are ones in Laing Art Gallery and Museum, Newcastle; Palace of Westminster; and Bank of England. Lived in London.

During WW1 Lawrence was in the Tyneside Pioneers, and according to Richard Dunning was in the front line 100 yards from Lochnagar when it was blown up. Given that the (unannounced) 27 ton explosion was heard and felt in Kew, it must have unnerved him considerably – fortunately the Pioneers were the only troops, out of 100,000, who didn’t go over the top on that day. Lawrences masterpiece, The Altruists, (first exhibited at British Empire Exhibition, Wembley, 1924, then British Pavilion, 1925 Paris and now lost) showing First World War soldiers and a selection of robed figures grouped on either side of a risen Christ, was his most ambitious serious attempt to sublimate his traumatic WW1 experiences.

With thanks to artbiogs.co.uk

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