Knights, Winifred

(1899 – 1947)

Study of Front Door, Lineholt Farmhouse Door, c. 1932

£1,950.00

Pencil 

Inscribed with colour notes

6 1/4 x 6 1/4 in. (15.8 x 15.8 cm)

1 in stock

DESCRIPTION

Provenance:
The Artist’s Family

Literature: Llewellyn, Sacha, Winifred Knights, Lund Humphries 2016

Exhibited: Winifred Knights, The Fine Art Society, 1995; no. 12 d

Lineholt Farm, near Stourport, Worcestershire, was the home of the
artist’s great aunts Frances Williams and Marianne Pardoe. On her return
from Rome Knights embarked on an ambitious painting Demeter in
Worcestershire set around the Lineholt Farmhouse which became the
subject of series detailed studies of the finest detail.

Disclaimer:
Liss Llewellyn are continually seeking to improve the quality of the information on their website. We actively undertake to post new and more accurate information on our stable of artists. We openly acknowledge the use of information from other sites including Wikipedia, artbiogs.co.uk and Tate.org and other public domains. We are grateful for the use of this information and we openly invite any comments on how to improve the accuracy of what we have posted.

THE ARTIST

Knights, Winifred

1899 – 1947

Winifred Knights was born in Streatham, London in 1899. She studied at the Slade School of Fine Art (1915’17, 1918’20 and 1926’27) . In 1919 she jointly won the Slade Summer Composition Competition with A Scene in a Village Street with Mill-Hands Conversing. In 1920, she became the first woman to win the Scholarship in Decorative Painting awarded by the British School at Rome. She remained in Italy until December 1925, marrying fellow Rome Scholar Thomas Monnington (1902’1976) in April 1924. On her return to England, Knights received a commission to paint an altarpiece for the Milner Memorial Chapel in Canterbury. A major commission for the Earl of Crawford and Balcarres, on which she had been working for five years, remained unconcluded at her early death, aged 47.
Throughout her life, Winifred Knights produced work through which she explored women’s autonomy. Presenting herself as the central protagonist, and selecting models from her inner circle, she rewrote and reinterpreted fairy tale and legend, biblical narrative and pagan mythology. She was the subject of a retrospective exhibition at Dulwich Picture Gallery in 2016.

MORE PICTURES BY ARTIST

Winifred Knights
Compositional study for The Flight into Egypt, circa 1938
£17,500.00
Winifred Knights
Study for the Marriage at Cana with a self portrait, circa 1923
£8,000.00
Winifred Knights
Portrait of Colin Gill, c.1921
£10,000.00
Winifred Knights
Portrait Study of Colin Gill, c.1921
£7,500.00
Winifred Knights
Study of a Seated Woman for The Santissima Trinita
£3,000.00
Winifred Knights
Study of Lineholt Farmhouse Facade, c. 1932
£7,000.00
Winifred Knights
Study for St Martin altarpiece, angel from the waist down
£3,000.00
Winifred Knights
Study for Scenes from the Life of St Martin of Tours, circa 1929
£15,000.00
Winifred Knights
Landscape study for Santissima Trinita, circa 1924
£18,500.00